Master Ariza has dedicated him self to produce Life size
and monumental sculptures. Based on the need of the human being
to depict himself, the Egorealism takes place. The history
of art, shows us, that the artists have been always used to identify
their work according to the artistic tendencies left to us, by those
who without proposing it, left a style, or a school, which was discovered
by the analysts, students and writers of art, who baptized them
at their time, with a name that described the style.
" Egorealism is born, with a name that the Master Amilkar
Ariza has given to his new artistic tendency, and that is the
result of a conscious work that he has developed during many years.
Amilkar Ariza, in his constant search, creates a sculpture,
with a subject that allows him to leave the common one, challenging
the movements, the muscular vigor of the athlete, and giving the
observer, a work that not only please aesthetically but also with
the plasticity and beauty presented like a portrait, the sport activity
that the observer practices, or admires and gets passionate, and
identifies so much with it that feels that it belongs to him/her
even without acquired it and integrates with the personality and
penetrates the ego of the observer.
The Egorealism of Amilkar Ariza, is the art of the moment,
the art of the time, of the communication, that transmits energies
to the observer. It is the kind of work that does not require to
be an art expert to feel it. The egorealistic sculpture of Ariza,
besides to contribute to art, shows a strong empathy to it and causes
the bronze and the person to integrate in a passion manner.
Definitively, the "Egorealism" of Amilkar Ariza,
is a new artistic tendency in the sculpture, that adds new ingredients
to the art, penetrates the feelings, and gives a more dynamic turn
to the generally volumetric and statue-kind sculpture, perhaps by
the rigidity of the handling of the bronze; in the work of Ariza,
the heavy thing of the material becomes light, participates with
the today life, and elevates the ego of those who observes it.